Adding darker values to the background



Continue adding darker layers

As I continued adding darker values I noticed my painting was not looking like I wanted. The more color I used in the background for the distant trees became to close and crisp. So I decided to do a wash of white mixed with water and painted over the background. At first, I was not sure this would work but after the painting dried it appeared further away and that is what I wanted. However, it was not exactly what I wanted, so I continued experimenting with different colored washes until I found one that worked. However, I believe it was culmination of colors that made the end result.

Add Dark Values To Create Depth



Add dark value of color to enhance depth

I continued adding thin dark paint to the lower part of the painting. I also created notches and grain in the wood railing giving it a more realistic look.


Continue Adding Layers Of Thin Paint

Add several thin layers

I continue blocking in colors with acrylic paint. At this stage my paint is watered down much like the consistency of Watercolor paint. As I continue to add layers the paint becomes heavier but not as thick as the paint right of the tube.

Opposite Colors Attract Interest



The beginning of

"Passage Into Palisades"

Once the outline is complete the next step is deciding what colors to use. I like to chose colors opposite on the color wheel that reflect or enhance highlights. For instance, the hair I used a soft orange which creates depth when layering dark colors over the orange. With most my paintings I try several color variations until I am satisfied with the end result.


The Beginning Of "Passage Into Palisades"

Image outline

(Fig. 2)

I feel the most difficult part of beginning a project is choosing the right image. For me, I need to look at picture or an inspirational piece as a starting point. For this particular project, I chose a photo I took of my daughter while we were out hiking in the beautiful Mississippi Palisade Park. 

For a quick start I enlarged the original 8x10 photo into four 8x10 sections (Fig. 2) and placed together to form one large photo. Next, I used tracing paper to trace the outline of the image onto a 24x18 canvas. This allowed me to place the image proportionately without much fuss, plus it was quick and easy. Some call this cheating, I call it being efficient. 

Photos To Inspire My Next Painting

Landscape

Landscape Portrait

What's Next...

I'm contemplating my next painting subject, and a self-portrait seems intriguing, particularly in the style reminiscent of Andy Warhol's iconic works. It would certainly present a unique challenge. Alternatively, I'm considering a portrait, a landscape, or even diving into the realm of abstract art.

Deciding what to paint is always the toughest part of the process for me. Without external pressure or demand for my artwork, I'm driven by the desire to continuously evolve and explore new techniques. Each painting serves as a practice ground, pushing the boundaries of my creativity and honing my skills.